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Parker's got a couple of rules that have helped keep him alive throughout his long career. One of those is never to work on a boat. But with a gambling boat cruising down the Hudson, stuffed to the gunwales with cash, Parker's got a plan, a team, and a new rule: a shot at a big enough score makes any rule worth breaking. Parker and his crew hit the boat, hard, but as always, there are a lot of complications—and a lot of bodies—before
...3) Dirty money
Racing through the backwoods of Massachusetts and on the verge of being taken down for one of the biggest and most disastrous bank heists the state has ever seen, Parker runs right into the barrel of a gun pointed from the wrong side of the law. A quiet and angry recluse with only a silent parrot for company in his seclusion, Tom Lindahl saves Parker from the police dogs, but enmeshes him in yet another in a long line of dubious, highly dangerous,
...8) The handle
Baron is clever—perhaps too clever. He sits on the heavily protected island of Cockaigne, a mini–Las Vegas forty miles out in the Gulf of Mexico, raking in as much as $250,000 some nights, laughing at the Outfit, who can't collect their cut. Now the Outfit can no longer stand the loss of face—not to mention the loss of revenue. That's why they've sent for Parker, who knows that the line between success and failure on this score
...9) The mourner
10) Comeback
13) The outfit
The Outfit was organized crime with a capital O. They were big; they were bad; they were brutal. No crook ever crossed them and lived to enjoy it—except Parker. So they wanted Parker dead, and a hit man proved they meant business. Too bad for the Outfit he missed. Ripping off the Outfit was the easy part of Parker's game. Going one-on-one with Bronson, the Outfit's big boss, was the hard part.
Between Parker's 1961 debut and his return in the late 1990s, the world of crime changed considerably. Now fake IDs and credit cards had to be purchased from specialists; increasingly sophisticated policing made escape and evasion tougher; and, worst of all, money had gone digital—the days of cash-stuffed payroll trucks were long gone.
But cash isn't everything, and now Parker's after a fortune in jewels. In Flashfire,
..."Hearing the click behind him, Parker threw his glass straight back over his right shoulder, and dove off his chair to the left." When a job looks like amateur hour, Parker walks away. But even a squad of seasoned professionals can't guarantee against human error in a high-risk scam. Can an art dealer with issues unload a truck of paintings with Parker's aid? Or will the heist end up too much of a human interest story, as luck runs out before Parker
...18) The score
Parker, the ruthless antihero of Richard Stark's eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style, Stark is a master of crime writing, his books as influential as any in the genre. Parker goes under the knife in The Man with the Getaway Face, changing his face to escape the mob and a contract on his life. Along the
...20) The jugger
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